"Histories of Avant-garde Cinema. From Dadaism to Post-Internet" – Table of Contents

Łukasz Ronduda, Gabriela Sitek, From the editors

Marcin Giżycki, The cinema of Dadaists and Surrealists

Marcin Giżycki, On metropolitan symphonies and cinematic constructivism

Małgorzata Radkiewicz, Female individualists in the French avant-garde: Germaine Dulac, Claude Cahun, and Marcel Moore

Marcin Giżycki, Cinema and the avant-garde in pre-1939 Poland

Daniel Muzyczuk, The cinema between universalism and impenetrability. The synaesthetic experiments of Charles Sheeler and Paul Strand, Francis Bruguière, and Harry Smith

Małgorzata Radkiewicz, Maya Deren: the precursor of American avant-garde cinema

Magdalena Podsiadło, American avant-garde. Marie Menken, Stan Brakhage, Jonas Mekas—three autobiographical cases

Karol Radziszewski, The queer expression of American cinematic avant-garde. The works of Kenneth Anger, Jack Smith, Andy Warhol and David Wojnarowicz

Ewa Majewska, The body and the sex on the screen. The avant-garde cinema of Carolee Schneemann (and Barbara Rubin)

Paulina Haratyk, Home movies, videodiaries, personal cinema. Amateur cinema in the framework of the avant-garde

Daniel Muzyczuk, The aAnti-authoritarianism of the longue durée. Musical experiments and the new model of perceiving cinematic works in the oeuvre of Tony Conrad

Antoni Michnik, Fluxfilm Anthology and the film in the Fluxus community: the tape in a widened field

Paweł Mościcki, Lettrist and situationist cinema

Małgorzata Radkiewicz, The continuators of Maya Deren in the American avant-garde: Yvonne Rainer, Abigail Child, and Su Friedrich

Łukasz Mojsak, Reflections on the status of the narration. Cinematic Menippean satire in the works of Yvonne Rainer, James Benning, and Hollis Frampton

Krystyna Mazur, The touch of the cinema: the experiments of Barbara Hammer

Beata Kosińska-Krippner, The cinematic prototypes of Peter Kubelka and body configurations in the works of VALIE EXPORT

Łukasz Ronduda, The Film Form Studio. Between art and cinema

Marika Kuźmicz, Avant-garde film and the video art of female Polish artists in the 1970s

Michał Matuszewski, A camera-wielding essayist. The avant-garde works of Chris Marker

Krystyna Mazur, The absent greats: Black female experimental film directors in the USA

Iwona Kurz, “Reality Has to Begin.” The films of Harun Farocki as a tool to critique the images which shape the shared visual consciousness.

Magda Lipska, What’s it like to be a problem? Blackness and race in the films of the Black Audio Film Collective

Małgorzata Radkiewicz, Queer Avant-garde. The works of Derek Jarman

Andrzej Pitrus, Bill Viola’s The Passing: sometimes images have to wait

Gabriela Sitek, “Brushing history against the grain”: the issues of representation in contemporary found footage documentary cinema

Łukasz Mojsak, Moving image art in the fields of film, cinema, and video in the 1990s and the first decade of the 21st century

Jakub Depczyński, Art films after the Internet

Jakub Majmurek, Cine-art five years later

Title: Histories of Avant-garde Cinema. From Dadaism to Post-Internet
Editors: Łukasz Ronduda, Gabriela Sitek
Cover design and layout: Krzysztof Bielecki
Publishers: Fundacja Okonakino, Muzeum Sztuki Nowoczesnej, Korporacja Ha!art
Place and date of publication: Warszawa–Kraków 2020
Price: 34 PLN

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